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"While not every aspect of his two recordings [of Mahler's "Das Lied von der Erde"] makes a convincing case for the substitution [of baritone for mezzo soprano] -- there are a few phrases, especially in "Der Einsame im Herbst" where the lower tessitura tends to mask important instrumental detail and the vocal line is not picked out in sharp enough relief-- much of his singing is a revelation, uncovering elements of all three songs that only one mezzo or contralto (Brigitte Fassbänder on Giulini's otherwise unexceptional performance) comes near to matching. Some may find his approach too knowing, his treatment of words mannered, but he brings the poems to dramatic life in an unprecedented way. No one else in my experience gets the crucial change of mood in "Der Einsame", at the beginning of the third stanza, exactly right: the phrase "Mein Herz ist müde" is inflected with all the monochrome weariness towards which the first half of the song has inevitably been leading; no one else (again apart from Fassbänder) manages to point out the contrast in the central section of "Von der Schönheit" with such clarity and vigour. In "Der Abschied" the climactic high G's may sound a little strained (one can imagine all too easily how a less exceptional baritone would struggle there) but the conception of the movement as a whole is flawless, the sense of a sharply conveyed narrative from "Es wehet kühl" onwards marvelously conveyed." (Andrew Clements, Song on Record, Vol.1) |
"The Brahms Requiem has . . . been a regular feature in Fischer-Dieskau's repertoire, and he has sung the work under all the great conductors. I shall never forget the performance with Bruno Walter at the 1953 Edinburgh Festival, and the reader might remember that he chose this work-- along with Bach's Kreuzstabkantate-- for his USA debut in Concinnati on 15 April 1955. In 1972 he went on to take part in a much-lauded performance at the Berliner Festwochen on 23 and 24 September (with Gundula Janowitz and the Berlin Philharmonic Orchestra under Herbert von Karajan) and in Tel Aviv 1976. After performing the work at the 1978 Edinburgh Festival (under Carlo Maria Giulini) on 25 and 26 August, he included it in his 1980 American tour, singing in Detroit (on 26 April), New York (16 May) and Washington (17 May), under the baton of Antal Dorati. It is clearly one of his favorite works." (Kenneth Whitton, Dietrich Fischer-Dieskau: Mastersinger)
"In 1986, he sang Karl Amadeus Hartmann's Gesangsszene (1963), which he himself had premiered in Frankfurt in 1964. Instead of the "still the same" type of comment, the critic Karl Schumann employed the more elegant "now as before" (Süddeutsche Zeitung 5 Feb 1986):
Just as then, here is that thundering and whispering interpreter, climbing up into tenorial heights and conjuring these as well as the operatic aspects of this vision of doom. In the great sweeps in the recitatives, hardly ever, or at times, not accompanied, and in the spoken words of the finale ("Es ist ein Ende der Welt! Das traurigste von allen"), he maintains a simply breath-taking tension, and, where Hartmann's passionate music demands it, he offers the extreme in espressivo. |
(Hans A. Neunzig, Dietrich Fischer-Dieskau: A Biography)
Bach, Cantatas | Faure, Requiem | Mahler, Eighth Symphony | Penderecki, Magnificat |
Bach, St. Matthew Passion | Handel, Apollo e Dafne | Martin, Jedermann-Monologe | Rossini, Petite Messe Solennelle |
Bach, Christmas Oratorio | Haydn, The Creation | Martin, Golgotha | Schubert, Lazarus |
Bach, St. John Passion | Haydn, The Seasons | Mendelssohn, Elijah | Schumann, Scenes from "Faust" |
Bartok, Cantata Profana | Hindemith, Das Unaufhörliche | Mendelssohn, St. Paul | Shostakovich, 14th Symphony |
Beethoven, Ninth Symphony | Hindemith, Requiem (Walt Whitman) | Mozart, Requiem | Shostakovich, Michelangelo-Suite |
Brahms, A German Requiem | Mahler, Das Lied von der Erde | Orff, Carmina Burana | Zemlinsky, Lyric Symphony |
Barber, Samuel (1910-1981): Three
Songs, op. 45 for voice
and piano 1974-04-30 New York. DFD, Charles Wadsworth (piano).
Blacher, Boris (1903-1975): Drei Psalmen (Three Psalms) for baritone and piano 1962-10-04 Berlin. DFD, Aribert Reimann (piano).
Britten, Benjamin (1913-1976): Cantata misericordium, op. 69 1963-09-01 Genf. Pears, Peter (T), DFD, Orchestre de la Suisse Romande, Choeur "Le Motet de Genève", Ernest Ansermet (conductor). Latin Text by Patrick Wilkonson. A commission from the Red Cross in honour of their centenary in 1963. Britten, Benjamin (1913-1976): Songs and Proverbs of William Blake, op. 74 for baritone and piano 1965-06-24 Aldeburgh. DFD, Benjamin Britten (piano).
Britten, Benjamin (1913-1976): War Requiem, op. 66 1962-05-30 Coventry. Harper, Heather (S), Pears, Peter (T), DFD, Melos Ensemble, Coventry Festival Choir, City of Birmingham Orchestra, Davies / Britten (conductors). Words from the Missa pro Defunctis and the poems of Wilfred Owen (En/Lat). "In loving memory of Roger Burney, Sub-Lieutenant, Pièrs Dunkerley, Captain, David Gill, Ordinary Seaman, Michael Halliday, Lieutenant" Dallapiccola, Luigi (1904-1975): Preghiere for baritone and chamber orchestra 1965-03-19 Köln. DFD, Kölner Rundfunksinfonieorchester, Christoph von Dohnányi (conductor). Texts by Murilo Mendes. Döhl, Friedhelm (geb. 1936): "...wenn aber..." 9 Fragmente 1970-11-21 Berlin . DFD, Aribert Reimann (piano).
Einem, Gottfried von (1918-1996): An die Nachgeborenen, op. 42. Kantate für Mezzosopran, Bariton, gemischten Chor und Orchester. 1975-10-24 New York. Hamari, Julia (M), DFD, Temple University Concert Choir, Wiener Symphoniker, Carlo Maria Giulini (conductor).
Einem, Gottfried von (1918-1996): Leb wohl, Frau Welt, op. 43 1977-03 Berlin. DFD, Karl Engel (piano).
Einem, Gottfried von (1918-1996): Rosa Mystica, op. 40 for solo voice and orchestra 1973-06-04 Wien. DFD, Wiener Philharmoniker, Karl Böhm (conductor). Words by H.C. Artmann (G).Eight songs for medium voice and orchestra. Fortner, Wolfgang (1907-1987): Der Wald 1953-06-24 Frankfurt. Danco, Suzanne (S), Haefliger, Ernst (T), DFD, Sinfonieorchester des Hessischen Rundfunks, Ernest Bour (conductor), directed by Gert Westphal. Words (G): Frederico Garcia Lorca, trans. Enrique Beck (really Heinrich Beck). In 1957 Fortner adds 'Der Wald' as 6th scene to his opera "Bluthochzeit". Fortner, Wolfgang (1907-1987): Terzinen 1970-10-05 Berlin. DFD, Aribert Reimann (piano).
Fortner, Wolfgang (1907-1987): The Creation für eine mittlere Singstimme und Orchester 1955 Basel. DFD, Paul Sacher (conductor). By James Weldon Johnson. Translation into German by Eva Hesse. "Paul Sacher gewidmet" Hamel, Peter Michael (geb. 1947): Passion 1997-02-13 München. Husmann, Maria (S), Kösters, Johannes M. (Bar), DFD (Sprechgesang), via-nova-Chor München, Jugendchor Landsberg, Bayerische Kammerphilharmonie, Michael Helmrath (conductor). Words by Walter Flemmer. "In memoriam Gerda (1906-1995) und Günter (1907-1995) Bialas". Hartig, Heinz Friedrich (1907-1969): Wohin op. 41. Oratorium. 1965-05-09 Berlin . Bernard, Annabelle (S), Feldhoff, Gerd (B), RIAS Kammerchor, Chor der Hochschule für Musik Berlin, Radiosymphonieorchester Berlin, Ronnefeld, Peter (conductor). Hartmann, Karl Amadeus (1905-1963): Gesangsszene für Bariton und Orchester 1964-11-12 Frankfurt. DFD, Sinfonieorchester des Hessischen Rundfunks, Dean Dixon (conductor). Text from "Sodom und Gomorrha" by Jean Giraudoux based on the German Translation by W.M. Treislinger und Gerda von Uslar. "Hans Moldenhauer zugeeignet". Commissioned by Hessischer Rundfunk. Henze, Hans Werner (geb. 1926): Das Floss der Medusa (The Raft of the Medusa). Oratorio volgare e militare, in due parti. 1968-12 Hamburg. Edda Moser (La Mort), DFD (Jean-Charles), Charles Regnier (Sprecher), Chor des Norddeutschen Rundfunks, RIAS-Kammerchor, Mitglieder des Hamburger Knabenchors St. Nikolai, Sinfonieorchester des Norddeutschen Rundfunks, Hans Werner Henze (conductor). Words by Ernst Schnabel. All the Italian passages are taken from Dante's "Commedia", as are certain concepts in the German text. On the evening of 9 December 1968 a large and distinguished company of musicians assembled in Hamburg for the first performance of the new oratorio. The work had already been recorded during the previous few days. But before the public première could get under way there was an unhappy incident which led, by a process of escalation fairly typical of that turbulent year, to the cancellation of the performance. Henze, Hans Werner (geb. 1926): Ein Landarzt (Solofassung) 1965-10-12 Berlin . DFD, Berliner Philharmonisches Orchester, Hans Werner Henze (conductor). Based on a novel by Franz Kafka. Henze, Hans Werner (geb. 1926): Elegie für junge Liebende (Elegy for Young Lovers). Opera in three acts. Role of Gregor Mittenhofer. 1961-05-20 Schwetzingen.Bayerisches Staatsorchester, Heinrich Bender (conductor).
Henze, Hans Werner (geb. 1926): Fünf neapolitanische Lieder (Five Neapolitan Songs) for baritone and chamber orchestra 1956-05-26 Frankfurt. DFD, Sinfonieorchester des Hessischen Rundfunks, Otto Matzerath (conductor).
Henze, Hans Werner (geb. 1926): Novae de Infinito Laudes 1963-04-24 Venice. Söderström, Elisabeth (S), Meyer, Kerstin (A), Pears, Peter (T), DFD, Kölner Rundfunkchor, Kölner Rundfunksinfonieorchester , Hans Werner Henze (conductor). First German performance with the same cast at Köln on 1963, April 26th. Krenek, Ernst (1900-1991): Spätlese 1973 (Late Harvest) Song cycle in six parts for Baritone and Piano. 1974-07-22 München. DFD, Ernst Krenek (piano).
Krenek, Ernst (1900-1991): The Dissembler (Der Versteller). Monolog for Baritone and Chamber Orchester 1980-09-28 Berlin. DFD, Solisten des Berliner Philharmonischen Orchesters, Lothar Zagrosek (conductor). Words by Ernst Krenek (English, with citations from other languages) First European performance. Lothar, Mark (1902-1985): Musik des Einsamen, op. 67.Ein Liederzyklus für Gesang und 7 Instrumente 1967 München.
Lutoslawski, Witold (1913-1994): Les Espaces du Sommeil 1978-04-12 Berlin. DFD, Berliner Philharmonisches Orchester, Witold Lutoslawski (conductor). Poem by Robert Desnos (Fr). Dedicated to Dietrich Fischer-Dieskau. Matthus, Siegfried (geb. 1934): Holofernes. Portrait for baritone and orchestra. 1981-11-25 Leipzig. DFD, Gewandhausorchester Leipzig, Kurt Masur (conductor).
Matthus, Siegfried (geb. 1934): Nachtlieder for baritone, string quartet and harp. 1988-09-12 Berlin . DFD, Lipman, Sebastian (harp), Brandis Quartett.
Reimann, Aribert (geb. 1936): Ein Totentanz. Suite für Bariton und Kammerorchester 1961-09-29 Berlin. DFD, Berliner Philharmonisches Orchester, Werner Egk (conductor). Reimann, Aribert (geb. 1936): Fragmente aus "Lear" for baritone and orchestra 1980-09-14 Berlin . DFD, Rundfunksinfonieorchester Berlin, Gerd Albrecht (conductor). Libretto by Claus H. Henneberg, after Shakespeare's tragedy King Lear. First German performance. UA in Zürich. Reimann, Aribert (geb. 1936): Fünf Gedichte von Paul Celan 1962-10-04 Berlin. DFD, Aribert Reimann (piano).
Reimann, Aribert (geb. 1936): Lear. Opera in two parts adapted from Shakespeare's tragedy by Claus H. Henneberg. 1978-07-09 München. Bayerische Staatsoper, Gerd Albrecht (conductor).
Reimann, Aribert (geb. 1936): Nunc dimittis (Canticum Simeonis) for baritone, mixed chorus and bassflute 1984-09-30 Berlin . DFD, Sebon, Karl-Berhard (Baßflöte), RIAS-Kammerchor, Uwe Gronostay (conductor). Text from St Luke's Gospel 2, 29-32 and Martin Luther. Reimann, Aribert (geb. 1936): Requiem 1982-06-26 Kiel. Varady, Julia (S), Dernesch, Helga (M), DFD, Orchester der Bühnen der Landeshauptstadt Kiel, Walter Gillessen (conductor). Latin Requiem text and verses from Job. Written for the 100th anniversary of the Kiel Regatta. Reimann, Aribert (geb. 1936): Shine and Dark for baritone and piano (left hand) 1991-05-31 Zürich. DFD, Aribert Reimann (piano).
Reimann, Aribert (geb. 1936): Tre Poemi di Michelangelo for baritone and piano (1985) 1986-09-21 Berlin . DFD, Aribert Reimann (piano). Sol io ardendo Che fie di me? L'alma inquieta e confusa Reimann, Aribert (geb. 1936): Wolkenloses Christfest for baritone, cello and orchestra 1974-06-02 Landau. DFD, Palm, Siegfried (cello), Symponieorchester des Saarländischen Rundfunks, Hans Zender (conductor). Based on poems by Otfried Büthe. Reimann, Aribert (geb. 1936): Zyklus for baritone and orchestra 1971-05-15 Nürnberg. DFD, Philharmonisches Orchester der Stadt Nürnberg, Hans Gierster (conductor). Words by Paul Celan. Reutter, Hermann (1900-1985): Die Brücke von San Luis Rey. Opera. 1954-06-20 Frankfurt. Chor und Symphonieorchester des hessischen Rundfunks, Gustav König (conductor).
Reutter, Hermann (1900-1985): Drei Monologe des Empedokles 1980-04-18 Berlin. DFD, Aribert Reimann (piano). Words by Friedrich Hölderlin. In meine Stille kamst du Euch ruf' ich über das Gefild' herein Ha! Jupiter, Befreier! Reutter, Hermann (1900-1985): Weihnachtskantilene 1952 . DFD. Text by Matthias Claudius. Rihm, Wolfgang (geb. 1952): "umsungen" 1984-09-12 Berlin. DFD, Philharmonisches Oktett Berlin, Arturo Tamayo (conductor). Based on words by Friedrich Nietzsche.Commissioned by "Berliner Festwochen". Ruzicka, Peter (geb. 1948): "...der die Gesänge zerschlug". Stele für Paul Celan. 1985-09-03 Berlin . DFD, Ensemble Modern, Ernest Bour (conductor). Text Paul Celan. Commissioned by "Berliner Festwochen". Ruzicka, Peter (geb. 1948): "...sich verlierend...". 4. Streichquartett. 1997-10-14 Köln. DFD, Arditti String Quartet. Words by Paul Valéry, Peter Handke, Hugo v. Hofmannsthal, Theodor W. Adorno, Dieter Schnebel, Paul Celan, Ingeborg Bachmann, Cesare Pavese, Ludwig Wittgenstein. Schnabel, Artur (1882-1951): Notturno (So müd hin schwand es in der Nacht) 1984-09-18 Berlin . DFD, Aribert Reimann (piano). Words by Richard Dehmel. Schwarz-Schilling, Reinhard (1904-1985): Die Botschaft 1982-10-24 Berlin . Gjevang, Anne (M), DFD, Chor der St. Hedwigs-Kathedrale Berlin, Slowakische Staatsphilharmonie Kosice, Roland Bader (conductor). Based on words from the Old and New Testament, Roman Liturgy and by a Flemish poet from the thirteeth century. Strawinsky, Igor (1882-1971): Abraham und Isaac. A sacred Ballad for baritone and chamber orchestra. 1964-09-22 Berlin. DFD, Berliner Philharmonisches Orchester, Robert Craft (conductor). Based on the original text from the Old Testament. Dedicated to the people of the State of Israel. First European performance. Tippett, Michael (1905-1998): The Visions of Saint Augustine 1966-01-19 London. DFD, BBC Chorus, London, BBC Symphony Orchestra, Michael Tippett (conductor). Words by Michael Tippett after Augustine. First German performance 1966, October 5 in Berlin, conducter M. Tippett. Wolf, Hugo / Strawinsky Igor: Zwei geistliche Lieder aus dem Spanischen Liederbuch 1969-10-02 Berlin . DFD, Radiosymphonieorchester Berlin, Robert Craft (conductor). First European performance. Yun, Isang (1917-1995): Symphony V für grosses Orchester mit Bariton solo 1987-09-17 Berlin. DFD, Berliner Philharmonisches Orchester, Hans Zender (conductor). Based on words by Nelly Sachs. Commissioned for the 750th anniversary of Berlin. Zehm, Friedrich (geb. 1923): 6 Gesänge nach Georg Trakl. 1948 Berlin. DFD, Mälzer, Martin (piano). |
herausgegeben von: © Monika Wolf, 1999-2021
translations and compilations: © Celia A. Sgroi, January 2004